Famous Quotes by Joaquin Sorolla
All the mistakes committed by artists are due to their having separated themselves from truth, believing that their imagination is stronger. There is nothing stronger than nature. With nature in front of us we can do everything well.
As far as outdoor work is concerned, a studio is only a garage; a place in which to store pictures and repair them, never a place in which to paint them.
Go to nature with no parti pris. You should not know what your picture is to look like until it is done. Just see the picture that is coming.
I could not paint at all if I had to paint slowly. Every effect is so transient, it must be rapidly painted.
I do not care to paint portraits indoors. I cannot feel sympathetic.
I hate darkness. Claude Monet once said that painting in general did not have light enough in it. I agree with him. We painters, however, can never reproduce sunlight as it really is. I can only approach the truth of it.
If ever a painter wrought a miracle of illusion with brush and pigment that painter was Velazquez in his 'Las Meninas,' at the Prado in Madrid. Now, I have studied this picture with a lens, and what do I find? Why, that Velazquez got that marvelous atmospheric background by one broad sweep of his flowing brush, charged with thin color so thin that you can feel the very texture of the canvas through it. Nature, the sun itself, produces color effects on this same principle, but instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived. No, mes amis, impressionism is not charlatanry, nor a formula, nor a school. I should say rather it is the bold resolve to throw all those things overboard.
Nature, the sun itself, produces color effects... instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived.
The great difficulty with large canvases is that they should by right be painted as fast as a sketch. By speed only can you gain an appearance of fleeting effect. But to paint a three yard canvas with the same dispatch as one of ten inches is well-nigh impossible.
The older I become, the more I realize that drawing is the most important of all the problems of picture-making.
When an artist begins to count strokes instead of regarding nature he is lost. This preoccupation with technique, at the expense of truth and sincerity, is the principal fault I find in much of the work of modern painters.
With all its excesses, the modern impressionistic movement has given us one discovery, the color violet. It is the only discovery of importance in the art world since Velazquez.
Yesterday afternoon I was able to do quite a lot of work on the picture, so that I hope to finish it today, the feast of St. Peter. That will be the end of more than six years' work, of suffering and struggle, with so much that was good and bad, especially at this stage.
Quotes about Joaquin Sorolla by Art Historians and Fellow Artists
Joaquin Sorolla is the true master of light.Claude Monet
By reason of his native genius and stubborn will-power he became what he is—the painter of vibrating sunshine without equal. Let there be no mincing of comparisons in this assertion. Not Turner, not Monet, painted so directly blinding shafts of sunlight as has this Spaniard.James Gibbons Huneker
Joaquín Sorolla y Bastida (Spanish: [xoaˈkin soˈɾoʎa]; 27 February 1863 – 10 August 1923) was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water.Wikipedia
Sorolla's influence on some other Spanish painters, such as Alberto Pla y Rubio and Julio Romero de Torres, was so noted that they are described as "sorollista." After his death, Sorolla's widow, Clotilde García del Castillo, left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932. Sorolla's work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.Wikipedia